A 4% Sanitation Fee will be added to all checks to cover increased cleaning procedures.
*** Please note that there is a two-item minimum at tables! ***
Thanks for coming to the show and supporting live music! In order to support the business and the cause, we ask that you respect our Two Item Minimum Purchase policy for all guests seated at tables. We appreciate your understanding as we make our way towards recovery!
All seating placement at the discretion of venue staff and in accordance with VA Covid guidelines.
Please be assured that Jammin Java has taken all safety precautions to ensure your health and safety:
What We Are Doing
– All staff will wear masks at all times.
– Social distancing will be enforced.
– All audience members will be seated at tables. No standing room only concerts.
– Our total capacity has been reduced to take into account social distancing.
– Directional signage has been placed throughout the venue to minimize unintentional social distancing breaches.
– Multiple hand sanitizer stations have been placed throughout the venue.
– We will no longer accept orders at the bar. All food and beverage orders will be taken through wait staff.
– The venue has been cleaned professionally and their services will continue to be retained.
What We Request Of You
– Wear a mask or face covering upon entering and moving around inside the venue. Your mask may be removed while you are consuming food and beverage but should be worn at all other times.
– Adhere to social distancing as well as marked entry and exit doors/directional markings.
– If you have any symptoms of COVID-19, have been exposed to COVID-19, or do not feel well, please do not come to the venue.
– If you have any questions or concerns, please firstname.lastname@example.org
Yasmin Williams sits on her leather couch, her guitar stretched across her lap horizontally with its strings turned to the sky. She taps on the fretboard with her left hand as her right hand plucks a kalimba placed on the guitar’s body. Her feet, clad in tap shoes, keep rhythm on a mic’d wooden board placed under her. Even with all limbs in play, it’s mind boggling that the melodic and percussive sounds that emerge are made by just one musician, playing in real time. With her ambidextrous and pedidextrous, multi-instrumental techniques of her own making and influences ranging from video games to West African griots subverting the predominantly white male canon of fingerstyle guitar, Yasmin Williams is truly a guitarist for the new century. So too is her stunning sophomore release, Urban Driftwood, an album for and of these times. Though the record is instrumental, its songs follow a narrative arc of 2020, illustrating both a personal journey and a national reckoning, through Williams’ evocative, lyrical compositions.
A native of northern Virginia, Williams, now 24, began playing electric guitar in 8th grade, after she beat the video game Guitar Hero 2 on expert level. Initially inspired by Jimi Hendrix and other shredders she was familiar with through the game, she quickly moved on to acoustic guitar, finding that it allowed her to combine fingerstyle techniques with the lap-tapping she had developed through Guitar Hero, as well as perform as a solo artist. By 10th grade, she had released an EP of songs of her own composition. Deriving no lineage from “American primitive” and rejecting the problematic connotations of the term, Williams’ influences include the smooth jazz and R&B she listened to growing up, Hendrix and Nirvana, go-go and hip-hop. Her love for the band Earth, Wind and Fire prompted her to incorporate the kalimba into her songwriting, and more recently, she’s drawn inspiration from other Black women guitarists such as Elizabeth Cotten, Sister Rosetta Tharpe, and Algia Mae Hinton. On Urban Driftwood, Williams references the music of West African griots through the inclusion of kora (which she recently learned) and by featuring the hand drumming of 150th generation djeli of the Kouyate family, Amadou Kouyate, on the title track.
Since its release in January 2021, Urban Driftwood has been praised by numerous publications such as Pitchfork, Rolling Stone, The Wasington Post, NPR Music, No Depression, Paste Magazine, and many others. Williams will be touring in support of Urban Driftwood throughout 2021.