Great Peacock – Tickets – Jammin Java – Vienna, VA – April 25th, 2018

Great Peacock

Great Peacock

Chris Timbers

Wednesday April 25, 2018

Doors: 6:30 pm / Show: 7:30 pm

Advance GA $13 | Day of GA $15 | Premier Plus $20

This event is all ages

• Full dinner and drink menu available

Great Peacock
Great Peacock
loss and pain, Nashville’s Great Peacock⎯⎯ comprised of lead singer and guitarist Andrew Nelson, guitarist Blount Floyd, drummer Nick Recio and bass player Frank Keith IV ⎯⎯ challenge the very notion of genre, dismantling tradition and blurring the lines between rock ‘n roll, conventional folk music and true Americana. Having earned praise from Paste, the Nashville Scene, American Songwriter, No Depression, Relix and PopMatters, the band ignites a kind of unapologetic spark. As fixtures on the Southern festival circuit including Shakey Knees, they’ve shared stages with an abundance of equally-minded noise-makers, including Susto, Hurray for the Riff Raff, Cage the Elephant, American Aquarium, Margo Price and Jonathan Tyler.

“I’m a rolling stone / Yeah, I can’t sit still,” Nelson wails on “One Way Ticket,” a prime cut from their upcoming second album, Gran Pavo Real (out Mar. 30 via Ropeadope Records), which is Spanish for Great Peacock. Their craft is instinctual, enlivened by their electric and nimble playing, gripping lyrical insight and Nelson’s eviscerating vocals. Their grooves run thick, like on standouts like “Rattlesnake” (a swampy, mid-tempo song that relates addiction to a slithering serpent) and “Heartbreak Comin’ Down.” They also manage to cut right to the bone, particularly when they deal in restraint. “Take a little time to make things right / Make a little love in the middle of the night,” Nelson ruminates on the languid and smokey “Oh Deep Water.”

The tension and sweltering unease comes in waves across 10 tracks, often brittle and heartbreaking, other times ferocious and sharp. “A peacock has so many colors, and that’s what we want our sound to be like. It’s clearly rock ‘n roll. It’s clearly country. It’s clearly folk. There’s definitely blues and elements of R&B in there, too,” says Nelson.

Recorded at Nashville’s Sound Emporium, the album was helmed by industry stalwart Dexter Green (Jason Isbell, Elizabeth Cooke, Derek Hoke). “He brought a strange cosmic energy," says Nelson about Green. "He’s sort of indescribable. You have to meet him to know who he is."

The scope of Gran Pavo Real is most remarkable, shifting between the slow-rolling “Hideaway” to the downcast “Let’s Get Drunk Tonight” and the yearning of “All I Really Want is You.” Spending very little time with overdubs or more than a few takes, the music came together within two days. My Morning Jacket’s Tom Blankenship lends his smart musicianship to the entire lineup. Initially, his contribution was on only one song, but he fell in love with the work being made and asked to stay for the whole ride. Accomplished key player Ralph Lofton (Yolanda Adams, Jennifer Holliday) is likewise a prevalent musical force throughout the collection. “Ralph brought some soul to the project," notes Nelson. "It’s really great, considering we recorded it live. This record has a real human interaction type soul.”

Having grown up in a rather sheltered Pentecostal household in the suburbs of Birmingham, Alabama, Nelson tuned into the only secular music he was allowed to listen to: the local oldies station. “What really got me into music is the blues. When I was a teenager I really liked John Lee Hooker, Freddy King, BB King, and Buddy Guy. I think you can hear these influences in the new songs in some ways. At an early age, I learned how hitting the right chords at the right times could really mess with somebody’s emotions.”

It wasn’t until he was 14 years old that he heard Lynyrd Skynyrd’s “Free Bird" for the first time, and it changed everything. “When I heard the guitar solo, I freaked out. I went downstairs and started playing my brother’s guitars when he wasn’t home. I taught myself how to play because I loved that song so much. I would get my ass kicked for breaking his strings, though. I had to learn fast, and I knew I wouldn’t get a guitar from my parents if I didn’t already show some interest or effort.”

Later, when he was 18, the next piece of the puzzle fell into place. His father had just passed away, and on the ride home from the funeral, his sister, “who always had really good taste in music,” as Nelson remembers it, put on Ryan Adams’ “When the Stars Go Blue.” The performance crushed him. “I started hearing all the little country influences. I thought it was awesome. I didn’t know I liked country music. Then, I went from Ryan straight to George Jones. From that moment on, I became way more obsessed with country music than rock ‘n roll.”

After college, he moved to Nashville to pursue his musical career and that's where he met bandmate Blount, who “grew up on ‘90s country.” The pair hit it off almost immediately. “We instantly went out and got a case of beer and shotgunned them. We started playing and writing songs together. We found out we sang together pretty well.”

Late one night, when they were drunk on Bushwackers, Great Peacock was born. “We jokingly said we were going to start a folk band, and we wrote a song called ‘Desert Lark,’” recalls Nelson. Close friends and family raved about what they had nonchalantly created. The band soon became a reality in early 2013, and their debut album Making Ghosts arrived two years later.

On Gran Pavo Real, the band spread their wings and easily glide into bolder territory ⎯⎯ without sacrificing their genre-bending artist stamp, of course. Americana music is a state of mind, a way of living fraught with stories of heartache, lonesomeness, and desperation. That is certainly the case for Great Peacock, whose style is an amalgam of American design bred of southern tradition.
Chris Timbers
Chris Timbers
A Northern Virginia native, singer/songwriter Chris Timbers draws inspiration from soul music, contemporary jazz, blues, rock and country. A soulful, rootsy singer with earthy acoustic songwriting, Chris Timbers made his mark on the VA music scene with the band Less Traveled.
Less Traveled debuted their album Nobody in 2000 and Timbers quickly gained notoriety as the bands lead songwriter. The album led to regional touring and he became a full time musician. Timbers shared the stage with Jake Phillips (lead guitar and vocals) and veteran players like drummer Bruce Guttridge (Carl Filipiak) and bassist Gary Grainger (John Scofield). Timbers’ songwriting also awarded him an endorsement with Godin Guitars and a chance to open for Agents Of Good Roots, Merles Saunders and Tim Reynolds (Dave Matthews and TR3)

After the bands dismantling, Timbers moved to NYC where he began his career as a solo artist. A frequent performer and friend to many in the Brooklyn music scene, Chris sat in as a session guitarist on several hip-hop record projects and continued to fashion his original style and technique as a singer/songwriter.

Timbers, now back in his home state, is presently gearing up for his freshmen release as a solo artist. Expect to hear songs that tell tales of his life journeys and that weave emotions through guitar playing that hits you straight to your core.
Venue Information:
Jammin Java
227 Maple Ave E
Vienna, VA, 22180
https://jamminjava.com/