Chris Pureka “Live at Jammin’ Java” Record Release Show – Tickets – Jammin Java – Vienna, VA – May 14th, 2017

Chris Pureka "Live at Jammin' Java” Record Release Show

Chris Pureka "Live at Jammin' Java” Record Release Show

John Statz

Sunday May 14, 2017

Doors: 6:00 pm / Show: 7:30 pm

GA $18 | Premier $22 | Premier Plus $25

This event is all ages

• Full dinner and drink menu available

• The Premier Plus section is a raised area with great views and reserved seats and tables. There is a dedicated server for faster service

Chris Pureka
Chris Pureka
It’s rare for an artist to bridge the divide between critical acclaim and dedicated fan engagement. Chris Pureka is a Portland-based singer-songwriter whose body of work has resonated deeply with these seemingly disparate milieus. Her bold vulnerability in processing the intimacies of her life in song has long appealed to those listeners who crave authenticity. Now, five years coming, she shares with us another powerful entry in her life’s work, her sixth release, the aptly titled, Back in the Ring.

Chris’s elegant emotionality as a vocalist, and her flair and immediacy as a lyricist have garnered her favorable comparisons to Gillian Welch, Ryan Adams, Bruce Springsteen, and Patty Griffin. She’s earned accolades from such distinguished taste-making outlets as The New York Times, Paste, Magnet, Billboard.com, and The AllMusic Guide. She’s shared the stage with such diverse and esteemed artists as Dar Williams, The Lumineers, The Cowboy Junkies, Gregory Alan Isakov, Martin Sexton, and Ani DiFranco. Along the way, Chris has remained fiercely independent, selling nearly 50,000 albums through her own label, Sad Rabbit Records.

Chris’s journey in music mirrors her path toward self-discovery. At 16, writing songs became a way of journaling. “I was shy and introverted, and songwriting was a very personal process. I never had any intention of performing,” she shares. Post high school, she went on to complete a biology degree at Wesleyan University, and afterwards, worked in a microbiology research lab at Smith College. Meanwhile, she established a music career parallel to her biology work through touring and issuing a clutch of well-received indie releases. In 2006, when Chris found herself turning down too many opportunities as a musician, she shifted her priorities to become a full-time artist.

Her latest album, Back in the Ring, is Chris’s first studio full length since 2010’s critically acclaimed How I Learned to See in the Dark. “I’m not interested in releasing songs I can’t get behind or records I don’t love,” she says of the five-year span between albums. The title of her latest playfully suggests something of an artistic comeback, but it also references the album’s themes of relationship conflict and making the decision to fight back against dark inner demons.

“My music is the outward expression of the work I’m doing internally. What I do comes from my experiences, and I strive to express these experiences authentically. Speaking my truth, and being myself, is the way that I connect with people,” Chris confides. Her rise as an esteemed artist with captivating emotional integrity has been organic and always on her own terms. For someone who never had an intention of being a professional musician, it’s been a life of far-reaching changes and unexpected rewards.
John Statz
John Statz
John Statz has been writing love songs lately, specifically about the kinds of romantic love that burn. Namely, all of them. When we first enter a new relationship we are filled with burning desire. Sometimes we later take those same relationships for granted and seemingly burn right through them. At the end we might find ourselves literally burning old love notes, or bridges, which turns out to be an excellent time to listen to that fire in our bellies. Hit the road, see something new, spend time on ourselves. The Fire Sermon is more than a meditation on romance in the 21st century, it is an assertion gleaned from trial by fire.

One of the more prolific and hard-working young songwriters working in the Americana genre, John Statz has released seven studio albums, and performed all over North America (including Canada and Mexico) and Europe, all in just a shade over a decade. Throughout that time he’s been writing the kind of songs that float through your mind and stay nestled in your thoughts long after listening (American Songwriter) and it’s been said that his songwriting can stand beside the best and above the rest (No Depression). Along the way John has attracted the attention of the likes of Americana scene heroes Jeffrey Foucault and Bo Ramsey (Lucinda Williams, Greg Brown), who separately produced his last two records. This latest is produced by fellow Denver songwriter Megan Burtt, whose instincts and backing band help bring forth an entirely new sound from Statz. The title of The Fire Sermon was taken from the third section of T.S. Eliot’s poem, The Wasteland, the name of which was borrowed from a sermon given by Buddha, in which he denounced the fires of passion, hatred, and infatuation with which the senses burn, according to Eliot’s endnotes. At the very end of the Fire Sermon section Eliot simply repeats, “Burning burning burning burning.”

John Statz was given a guitar by his grandmother when he was 15, which turned out to be perfectly timed for a teenager who, after ten years of piano lessons, had lost interest in classical music and had taken to learning John Lennon and Elton John tunes, first trying out his singing voice and turning towards rock and roll. Spending the rest of his high school years in southern Wisconsin attempting to play and sing like Neil Young and Cat Stevens, it wasn’t until Statz was 19 and attending university in Oshkosh that he began writing songs. The spark lit after attending a show at the storied Cafe Carpe in Fort Atkinson, Wisconsin featuring Jeffrey Foucault and Peter Mulvey, who quickly became heroes, and, much later on, fast friends and colleagues. The first record, Dusk Came Slow, was engineered by a friend enrolled in the university recording program, and what followed for John has been 11 years of touring everywhere from Bellingham to Budapest, Fairbanks to Mexico City, all the while becoming a stronger songwriter, and a more compelling performer.
Venue Information:
Jammin Java
227 Maple Ave E
Vienna, VA, 22180
https://jamminjava.com/