Paper Bird with Special Guest Angelica Garcia – Tickets – Jammin Java – Vienna, VA – March 23rd, 2017

Paper Bird with Special Guest Angelica Garcia

Paper Bird with Special Guest Angelica Garcia

Thursday March 23, 2017

Doors: 6:00 pm / Show: 7:30 pm

GA $14 | Premier Plus $25

This event is all ages

• Full dinner and drink menu available

• The Premier Plus section is a raised area with great views and reserved seats and tables. There is a  dedicated server for faster service

Paper Bird
Paper Bird
For Paper Bird, their new album marks a milestone. More importantly, it provides them with a new beginning, a new chapter in their trajectory that sees them redefining their direction, a change in their musical sensibility while maintaining their trademark upbeat attitude.

The band’s self titled album, available September 9th on Thirty Tigers Records/ Sons of Thunder Records, introduces vocalist Carleigh Aikins to the line­up, whose previous credits include extended stints with the critically acclaimed bands Bahamas and Fox Jaws. Her addition to the band adds an extra edge, highlighting a clear sonic evolution. A shift in the band’s line­up has opened up new possibilities, swapping electric guitars and amped up instrumentation for the laid back, folk­flavored sound they favored in the past.
“In truth this is an entirely new band,” bassist Caleb Summeril explains. “With Carleigh coming on board, we’ve literally made a fresh start.”

Guitarist Paul DeHaven first met Aikins at a concert on Willie Nelson’s ranch during South by Southwest in 2012. The two hit it off, and before long Aikins and the rest of the band began collaborating long distance via email. “It was serendipitous that we could join forces so seamlessly,” says Aikins. “We created an instant bond and a new sound we can all stand proudly behind; which merges our respective influences from the Canadian and American music we were raised with. Everyone’s input is welcome here and everyone has their moment to shine, in the true democratic sense and tradition of a band."

Paper Bird has always made a point of encouraging each of its members to share the spotlight. The group boasts three lead vocalists ­­ singer Sarah Anderson, singer and keyboard player Genevieve Patterson, and Aikins herself ­­ all of whom blend their voices in seamless three part harmonies. The instrumental duties are shared by Summeril, DeHaven, and drummer Mark Anderson.

Hailing from Denver, Colorado, Paper Bird first emerged from the same environs that launched such outfits as Nathaniel Rateliff and the Night Sweats and the Lumineers. The group has toured extensively throughout the U.S., sharing bills with the aforementioned bands, as well as Daryl Hall & John Oates, Edward Sharpe and the Magnetic Zeros, and Shakey Graves.

On Paper Bird, the band collaborates with world­renowned musician, singer and songwriter John Oates, who co­produced the album with Aikins’ fellow Canadian David Kalmusky. The album was recorded and mixed at Addiction Sound Studios in Nashville, and for his part, Oates couldn’t be more delighted.

“Paper Bird is a band that possesses a sound that’s more than the sum of its parts,” Oates effuses. “It’s the coming together of two perfect trinities. It has three distinctly unique female lead singers whose harmonies blend together as one...united with an inventive, cohesive rhythm section trio. I loved their sound from the first time I heard them and they just keep getting better. They are a true musical family united by a unique and pure artistic vision...a rare quality in this day and age of so much disposable and less than original music.”

Paper Bird has a sound that blends the engaging vocal harmonies of Fleet Foxes and The Lone Bellow with the classic ‘70s stylings of bands like Heart and Fleetwood Mac without imitating or emulating any one of them in particular. Indeed, the new music is rugged, resilient and flush with enthusiasm. It conveys the essence of inspired Americana, while still staying true to its riveting rock regimen.

The album starts with the soulful strut of “To The Light,” and heads into desire and yearning with the single “Don’t Want Half.” With its playful harmonies and rhythms, “I Don’t Mind” captures the ephemeral feelings of love, as “it’s not easy to be a dreamer, when you’re sleeping with the wind.” Paper Bird merge the musical past with the present on “Sunday,” conjuring up doo-wop, rock and groove sounds.

“This is definitely the start of something exciting,” Summeril suggests. “We’re at a point in our career where we feel we’re ready to take on the world.”
Angelica Garcia
Angelica Garcia
Angelica Garcia appropriately likens her journey to “going down the rabbit hole.”

Upon graduating from Los Angeles School for the Arts, the 17-year-old native Angeleno found herself living in a 200-year-old gothic brick home encircled by magnolia trees and under a blanket of bright stars in Accomac, Virginia. Her stepfather traded a career in the music industry for Episcopalian priesthood, and an Eastern Shore church would serve as his (and the family’s) first congregation. Behind that residence where Union General Henry Hayes Lockwood once passed through during the Civil War, Angelica began to fashion her musical world in the dusty old parish house. Nodding to her personal “holy trinity” of Willie Nelson, Neil Young, and Jack White, she tenaciously penned music.

“Living there helped define my sound,” she declares. “It was really hard for me, because all of my friends were in Los Angeles. I didn’t know anyone, and I felt very isolated. So, I went into that parish house alone. When you’re sitting there by yourself, you don’t have to ask for permission. There’s no one to judge you. You get to do everything you want to. I had the chance to be free musically. A lot of it was my way to resurrect hope and feel better. You write what you know because nobody knows what you know. That’s the best way to be honest.”

The singer and songwriter’s vision embraced the environment as she recorded the sounds of crickets, drumming on a shoebox, creaking doors, and more to build a rich soundscape with just her piano, guitar, and MacBook. Those ideas would eventually evolve into the 12 songs comprising her 2016 full-length Warner Bros. Records debut, Medicine For Birds.

In 2014, the label signed Angelica based off the strength of the parish house demos, and she embarked on her first national tour with Delta Rae. She’d take the initial ideas to a Nashville studio with producer Charlie Peacock [The Civil Wars, Switchfoot] in January 2015.

“It’s like the songs grew up at that moment,” she explains. “Charlie showed me how big and crazy they could be. I felt like a hermit coming out. He was the ambassador to this sonic realm I didn’t know about it. The music became limitless.”

Now, her style struts between ghostly gorgeous countrified blues and sly swamp Americana. With a childlike whimsy, quirky sense of humor, and dynamic delivery, it could easily soundtrack an apparitions’ ball in some Faulknerian mansion. Punctuated by stomping percussion, revival-worthy handclaps, and airy banjos, “Woman I’m Hollerin’” conjures up a heavenly haunting chant, “They want my blood!”

“I wrote it in one sitting,” she recalls. “It’s all about being afraid people are going to come after you. We all get scared, and it captures that feeling. You’re worried and reaching out for help.”
Elsewhere, “Magnolia Is Medicine” pairs a lithe finger-picked acoustic guitar with her breathy verses. It uncovers the meaning behind the album title too. “The Magnolia tree represented the South for me,” she says. “It was the medicine that made me feel better. In the same way, I want these songs to make other people feel better.”

“Bridge Is On Fire” spins a psychedelic electric sitar into a gloomy, grim narrative of towering flames and the ashes of a relationship. “I’m telling the story of a guy and girl,” she continues. “He’s panicking about this bridge burning, and his love being on the other side away from him. However, it turns out she lit the blaze. Her decision to start this fire was more important than the relationship. It’s a self-actualization.”

Medicine For Birds is Angelica’s actualization. It’s the culmination of a life devoted to music that began in Eastern Los Angeles harmonizing with her mother at 5-years-old and performing at the city’s most famous haunts in high school to landing at the bottom of the rabbit hole on the other side of the country.

It’s the gateway to her wild world…

“I love it when someone tells me they relate to my work,” she concludes. “that’s the ultimate validation. When you’re all alone working on music, you open up. The more songs that I write, the more I realize this world. It’s kooky. It’s spooky. It’s playful. It’s funny. It’s somber. It’s goth. It’s light. It’s me.”
Venue Information:
Jammin Java
227 Maple Ave E
Vienna, VA, 22180
https://jamminjava.com/